Showing posts with label Copyright. Show all posts
Showing posts with label Copyright. Show all posts

Friday, September 29, 2006

Where Have I Been? Conversing with the Skull of a Lawyer.


The human soul, accompanied by a personification of Justice,
pleading at the table of sacred love, represented as a judge.
From Penn State Univesity Library

I hereby publicly declare that all entries on this weblog, The Laughing Bone, are the sole creation of the fiery mind of Scot Casey - unless otherwise noted by attribution or quotation - and, that I will make no use of any of the works of Mr. Charles "Bonesy" Jones - beyond those which already exist on this weblog.

That being so awkwardly stated and with no explanatory gloss, allow me to encourage all of you that have any interest in leaving behind some vestige of being, some artifact of soul, after you have shuffled off this mortal coil (Wm. Shakespeare), to gird up your loins, plug your asshole and engage in some dire conference with a lawyer to prepare a SIMPLE WILL. Be sure to bring plenty of patience and lucre.


Henceforth, all work published under the name Scot Casey on this blog is under a Creative Commons license:


Creativity and innovation rely on a rich heritage of prior intellectual endeavor. We stand on the shoulders of giants by revisiting, reusing, and transforming the ideas and works of our peers and predecessors. Digital communications promise a new explosion of this kind of collaborative creative activity. But at the same time, expanding intellectual property protection leaves fewer and fewer creative works in the "public domain" — the body of creative material unfettered by law and, to quote Supreme Court Justice Louis Brandeis, "free as the air to common use."

Until 1976, creative works were not protected by U.S. copyright law unless their authors took the trouble to publish a copyright notice along with them. Works not affixed with a notice passed into the public domain. Following legislative changes in 1976 and 1988, creative works are now automatically copyrighted. We believe that many people would not choose this "copyright by default" if they had an easy mechanism for turning their work over to the public or exercising some but not all of their legal rights. It is Creative Commons' goal to help create such a mechanism.


Now for a few quotes that have educated, amused and sustained me over the last year or so:

Intestate Succession - From Britannica.com

In the law of inheritance, succession to property that has not been disposed of by a valid last will or testament. Although laws governing intestate succession vary widely in different jurisdictions, they share the common principle that the estate should devolve upon persons standing in some kinship relation with the decedent. Modern laws of intestacy have tended not to emphasize the traditional concern that property be kept within the bloodline through which it came to the decedent. Modern practice also tends to favour the rights of the surviving spouse, whether or not he or she is regarded as kin, and (in most jurisdictions) to ease restrictions on inheritance by illegitimate children.


From The Tragedy of King Richard the Third. Act IV. Scene IV:

Duch.
Why should calamity be full of words?

Q. Eliz.
Windy attorneys to their client woes,
Airy succeeders of intestate joys,
Poor breathing orators of miseries!
Let them have scope: though what they do impart
Help nothing else, yet do they ease the heart.

Duch.
If so, then be not tongue-tied: go with me,
And in the breath of bitter words let’s smother
My damned son, that thy two sweet sons smother’d.
[A trumpet heard.]
The trumpet sounds: be copious in exclaims.

The Skull of a Gorilla

From Hamlet. Act v. Sc. I:

Hamlet.
There's another: why may not that be the skull of a lawyer? Where be his quiddits now, his quillets, his cases, his tenures, and his tricks? why does he suffer this rude knave now to knock him about the sconce with a dirty shovel, and will not tell him of his action of battery? Hum! This fellow might be in's time a great buyer of land, with his statutes, his recognizances, his fines, his double vouchers, his recoveries: is this the fine of his fines, and the recovery of his recoveries, to have his fine pate full of fine dirt? will his vouchers vouch him no more of his purchases, and double ones too, than the length and breadth of a pair of indentures? The very conveyances of his lands will hardly lie in this box; and must the inheritor himself have no more, ha?

Horatio.
Not a jot more, my lord.

Hamlet.
Is not parchment made of sheep-skins?

Horatio.
Ay, my lord, and of calf-skins too.

Hamlet.
They are sheep and calves which seek out assurance in that. I will speak to this fellow.- Whose grave's this, sirrah?

Related Discussion from Mauled Again

Courts have long held under principles of public policy, that a decedent cannot direct the destruction of property after death. Thus, even though a person, while alive, can light a proverbial cigar with a proverbial rolled up $20 bill, one cannot order one's cash burned after death. Nor, according to several cases, can one order the razing of one's home (even if one could do so during lifetime), and this is an issue aside from permits and environmental concerns.

So in the classic hypothetical, when the decedent dies, love letters written to the decedent are found. Make the hypothetical interesting by identifying the writer as either a famous person or, better yet, someone whose position and status makes those letters scandalous (as if today there's much left that can fall within that term). So, however one wants to set up the facts, do so in a way that gives the love letters value. In our world of Warhol minutes, reality TV, and gossip run amok, it's unlikely that any love letters would lack value. The same is true of any other sort of letter (though love letters makes the hypothetical more interesting and gets the students' interest). The more secrets, the deeper the secrets, the more widespread those impacted or interested in the secrets, the higher the value of the email or other correspondence. I suppose that for celebrities' correspondence, the value reaches a peak and the issue is more likely to be litigated.

So if a decedent cannot order the burning of cash or the razing of a home, should a decedent be permitted to order the destruction of correspondence that has value? If the answer is yes, then those carving out an exception need to define the line, and I'm not convinced that the line can easily be drawn. Would it extend to home movies? Audiotapes? Photographs? Art work?

Surely one can think of reasons that the decedent would want the material destroyed, but then again, the decedent could have destroyed the material while alive. Except that destroying email on the email server of a commercial internet provider isn't easily accomplished, and might not be possible with emails less than 30 or 60 or 90 days old. But one also can think of reasons OTHER people would want the decedent's email and other materials destroyed: as one person pointed out (archived at Politech), "the emails might reveal the secret abortion of the sister or the secret first marriage of the father."

Digital technology puts yet another wrinkle on the issue. Paper correspondence sent to another person is in that other person's hands, and unless a photocopy was retained, it is beyond the reach of the decedent. The decedent cannot destroy it. Nor do the decedent's executor and beneficiaries have access (though, of course, the recipient's executor and beneficiaries might get their hands on it). With email, not only is the incoming correspondence on the server or computer, so too is the outgoing correspondence, or at least some of it is. Keep in mind that email is far more voluminous than is paper correspondence, perhaps by an order of magnitude.

Putting a direction in a will to destroy "love letters" could be counterproductive because wills aren't private. They become public when probated. "Destroy the love letters ....." or "Burn the letters received from ...." language would create all sorts of an uproar, and even if the contents never became public, the existence of the material would fuel the rumor mill for a long time, even if the decedent was not a national or international celebrity. After all, each one of us is a celebrity in our own little world. And, of course, "burn all correspondence" is overkill that by reaching legitimately retained financial and other information necessary for tax return and other compliance would give a court even more reason to hold to the principle that one cannot order the destruction of property after death.

It makes more sense to direct all property to a pre-existing trust and to give direction to the trustee (assuming, of course, that there is a right to order destruction of property). If the will inadvertently or deliberately incorporates the trust by reference, all bets are off because the trust is part of the probated will rather than a separate entity.

Tuesday, June 21, 2005

Logo History: Starbucks

From DeadProgrammer's Cafe:
The book had an old engraving of a two-tailed mermaid. It reminded me of the Starbucks Siren, but back then I did not realize that the original Starbucks logo had a slightly altered version of that engraving in the original brown cigar band-shaped logo.

source for starbucks siren

Notice that the graphic designer removed the belly button, the unattractive shading around the bulging tummy of the 15th century siren and merged the tail-legs to remove the suggestion of naughty bits. The logo Siren also smiles a little while its 15th century doppelganger is looking rather grim. Other than that it’s clear that this is exactly the image that he or she was using.

old starbucks siren logo

According to uspto.gov “[Starbucks] mark consists of the wording “Starbucks Coffee” in a circular seal with two stars, and the design of a siren (a two-tailed mermaid) wearing a crown”.

Here’s the “cigar band” logo from which I took the image above. The original hippie Starbucks owners did not sell espresso drinks, but mostly sold coffee beans, tea and spices. Today Starbucks sells liquor and ice cream, but no spices if you don’t count the cinnamon gum and the stuff on the condiment table.

older starbucks logo

The next, more familiar green iteration of the logo has a more attractive stylized siren. The chest is hidden, but the belly button is still there.

old starbucks logo
Here is the current logo. They cropped the siren image so that only a hint of the tails is visible. I asked hourly partners at Starbucks and friends, and none of them could figure out what those things to the side of Siren’s head were.


Lately I’ve stopped seeing pictures of the Siren on Starbucks mugs - they seem to favor just the word “Starbucks”. I also started seeing the new type of the siren as part of store decoration and on coffee packaging. She only has one tail. I guess the family-unfriendly image of a fish-woman spreading her tails is on its way out.
(via BoingBoing)

Also check out the excellent article:
The Endicott Studio Journal of Mythic Arts: The Mermaid by Heinz Insu Fenkl:


As some readers may know, Starbucks had to change their corporate logo because some consumers found the suggestive split tail of their topless siren too lurid and sexually suggestive. A simplified logo was introduced, hiding the siren's breasts under waves of hair, and that in turn was cropped and enlarged so the split in the siren's tail would no longer show. The only indication now that the female icon is a sea creature is in the wavy lines, which originally were part of the representation of the two tails. And yes, although the image is that of a split-tailed sea creature, it is a siren. More specifically, it is a double-tailed siren, a baubo siren, which The Woman's Dictionary of Symbols and Sacred Objects points out, is "a cross between a mermaid and a sheila-na-gig" and is found as a decorative motif in many European churches and cathedrals. "Her suggestive pose, like that of the sheila-na-gig, referred to female sexual mysteries in particular." [...]

[...] And so the Starbucks logo is a brilliant piece of design, which, oddly enough, resonates with much of what I've discussed above. The original logo made quite explicit that Starbucks was using the lure of female sexuality to draw the customer to their coffee, but now you can see that the coffee is linked to the double lure of ultimate wisdom and the pleasures of the flesh. The name of the company, about which there is relatively little deep inquiry, actually makes the connection even more interesting. Apparently, the owners of Starbucks originally wanted to call their company "Moby's Coffee," referring to Moby Dick, the great white whale in Herman Melville's classic novel (which is read as a Christian allegory, the whale representing Christ). But bringing up the image of a giant whale was deemed potentially unattractive for coffee drinkers. And so a new logo was designed, but the name "Starbucks" maintains the connection to Moby Dick—Starbuck is the name of the coffee-drinking first mate from Nantucket, the only man who challenges the mad Ahab.

And finally, Kafka:

Now the Sirens have a still more fatal weapon than their song, namely their silence... Someone might possibly have escaped from their singing; but from their silence, certainly never.

Addendum:
Cartoonist Kieron Dwyer Sued By Starbucks
At a meeting during Comic-Con International, the Comic Book Legal Defense Fund Board of Directors voted to support cartoonist Kieron Dwyer's defense of a suit brought against him by the Starbucks Corporation (Starbucks v. Dwyer, C00 1499). Starbucks is suing Dwyer for copyright and trademark infringement of its "mermaid" logo, a parody of which appeared on the cover of Dwyer's Lowest Common Denominator #0. Dwyer contends that his drawing is a legitimate parody and, as such, protected by the First Amendment.