However, as souvenirs remembrances are still susceptible to diverse modes of reception, which refetishize them into a wide array of meanings, according to the consumers'—and the market's—needs. Outstanding among these is the notion that an object is capable of transcending the limits of its own signification to represent, partially or fully, the whole event that gave it birth. Souvenirs, for example, condense the supposedly founding elements of a particular situation: a certain landscape or view, a famous person, the "typical" objects of a craft or region, an important moment.
- The Souvenir, Celeste Olalquiaga
The hidden door that leads to paradise opens in a place without fissures where everything radiates, sustained by the mysterious vapor of imagination. It is inhabited by unicorns and charming princes. Without realizing it, time suddenly folds like a fan: the enormous red roses obscurely begin to putrefy, the ethereal bodies hang like golden skeletons, and the trees are invaded by stuffed birds and snakes whose skins short-circuit with every kiss. A girl escapes in terror, taking cover under the dry leaves and the barbed wire. She pretends she is an impenetrable rock, concealing herself so she can never be touched, and always longed for.
- The Pandemoniac Junk Shop of Solitude: Kitsch and Death, Celeste Olalquiaga
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