Showing posts with label psychopath. Show all posts
Showing posts with label psychopath. Show all posts

Saturday, February 24, 2007

American Psycho Complete


It's American Pyscho Day over at Dennis Cooper's blog courtesy of SYpHA_69. Patrick Batemen would, I believe, be proud:

Soon I began taking notes. Lots of notes. Analyzing the novel’s internal timeline. Making a list of all the songs that get referenced in the book. Creating lists of the articles of clothing Patrick Bateman wears during the course of the novel.

Eventually, I became obsessed with the book. I decided that I would become one of the most obsessive American Psycho fan boys to ever walk the earth. I wanted to become, in other words, an American Psycho scholar (why not? I already classify myself as, among other things, an H.P. Lovecraft historian). It should also be observed that the book had a huge effect on my own writing (some of you may recall that on the Confusion day I created back in December I listed Bret Easton Ellis as one of my book’s primary influences, in particular the book American Psycho).

After many years working in bookstores, I found there were a few titles that inspired a certain "persistent interest": Naked Lunch, Stranger in a Strange Land, The Secret History, Perfume and Gravity's Rainbow come immediately to mind. Then there were those books that, for better or worse, cultivated a more obsessive fanaticism such as Catcher in the Rye, Dune and Lord of the Rings. You could almost spot the "fans" of these books walking in the door. (And I soon discovered that few could Virgil me down into the inner structures of a text as well as these truly obsessed fans - those to whom the inner "reality" of the book often held more weight than that of the external world.)

American Psycho, perhaps endemic to the current cultural climate, holds a tenuous middle ground between this persistent interest and fanaticism. In the late 90s, I met quite a few budding Patrick Batemans who would use lines from the book like a secret language for the initiated. Little Holden Caufields gone all the way through the rye.

I must admit that Ellis' first two books, Less Than Zero and Rules of Attraction, were guilty pleasures for me - connected in my memory with long waits in airport terminals. The sort of thing everybody was "reading at the time."

American Psycho was clearly of a different order. I found the book to be fascinating - like viewing an autopsy or watching a corpse decompose. I also thought it to be extremely funny - a crucial aspect lost on many readers. The device of describing the (always interchangeable) characters by long tedious catalogs of product and brands was effective and prescient, to say the least. I remember wondering at the time if any of it would make sense to a reader 100 years in the future. Doubtful. Still, American Psycho does stand as a hyperreal - and damning - portrait of late-20th century urban America.

Update: I just noticed that Dennis Cooper broke the sections down into separate links. The always excellent Jahsonic was kind enough to compile a complete list: